Arial Unicode MS uses monotone stroke widths on Arabic glyphs, similar to Tahoma. The styling of Arabic glyphs comes from Times New Roman, which have more varied stroke widths than the Latin, Greek, Cyrillic glyphs found in the font. The ends of the strokes on letters such as c, e, g and s, rather than being cut off on the horizontal, are terminated at the more natural angle in relation to the stroke direction." Matthew Carter, a consultant for IBM during its design process, described it as "a Helvetica clone, based ostensibly on their Grots 215 and 216". Monotype executive Allan Haley observed, "Arial was drawn more rounded than Helvetica, the curves softer and fuller and the counters more open. The changes cause the typeface to nearly match Linotype Helvetica in both proportion and weight (see figure), and perfectly match in width. The designs of the R, G and r also resemble Gill Sans.
In 2005, Robin Nicholas said, "It was designed as a generic sans serif almost a bland sans serif." Īrial is a neo-grotesque typeface: a design based on nineteenth-century sans-serifs, but regularized to be more suited to continuous body text and to form a cohesive font family.Īpart from the need to match the character widths and approximate/general appearance of Helvetica, the letter shapes of Arial are also strongly influenced by Monotype's own Monotype Grotesque designs, released in or by the 1920s, with additional influence from "New Grotesque", an abortive redesign from 1956.
Arial is an extremely versatile family of typefaces which can be used with equal success for text setting in reports, presentations, magazines etc, and for display use in newspapers, advertising and promotions. Terminal strokes are cut on the diagonal which helps to give the face a less mechanical appearance. The overall treatment of curves is softer and fuller than in most industrial style sans serif faces. Arial copies Helvetica's proportions and stroke width but has design detailing influenced by Grotesque 215.Įmbedded in version 3.0 of the OpenType version of Arial is the following description of the typeface:Ī contemporary sans serif design, Arial contains more humanist characteristics than many of its predecessors and as such is more in tune with the mood of the last decades of the twentieth century. In Office 2007, Arial was replaced by Calibri as the default typeface in PowerPoint, Excel, and Outlook.Ī comparison of Arial, Helvetica and Monotype Grotesque 215 scaled to equivalent cap height showing the most distinctive characters. More recently, Arial Rounded has also been widely bundled. The most widely used and bundled Arial fonts are Arial Regular, Italic, Bold, and Bold Italic the same styles of Arial Narrow and Arial Black.
Many of these have been issued in multiple font configurations with different degrees of language support. The extended Arial type family includes more styles: Rounded (Light, Regular, Bold, Extra Bold) Monospaced (Regular, Oblique, Bold, Bold Oblique). The Arial typeface comprises many styles: Regular, Italic, Medium, Medium Italic, Bold, Bold Italic, Black, Black Italic, Extra Bold, Extra Bold Italic, Light, Light Italic, Narrow, Narrow Italic, Narrow Bold, Narrow Bold Italic, Condensed, Light Condensed, Bold Condensed, and Extra Bold Condensed. Because of their almost identical appearances, both Arial and Helvetica have commonly been mistaken for each other. Each of its characters has the same width as that character in the popular typeface Helvetica the purpose of this design is to allow a document designed in Helvetica to be displayed and printed with the intended line-breaks and page-breaks without a Helvetica license.
The typeface was designed in 1982, by Robin Nicholas and Patricia Saunders, for Monotype Typography.
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Fonts from the Arial family are included with all versions of Microsoft Windows from Windows 3.1 on, some other Microsoft software applications, Apple's macOS and many PostScript 3 computer printers. Arial (also called Arial MT) is a sans-serif typeface and set of computer fonts in the neo-grotesque style.
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